TRANSFORMATION OF THE STRAWINSKY HOUSE WITH CASPER SCHWARZ

In this exclusive video, we take you to the impressive interior project in the Strawinsky House at the Amsterdam Zuidas.

Interior architect Casper Schwarz shares his vision on-site, highlighting a design philosophy centered around transparency, collaboration, and well-being.
This office is more than just a workplace – it’s an environment that is inviting, inspiring, and connecting.

A harmony between design and functionality

With a carefully balanced combination of openness and intimacy, the interior is designed to encourage both interaction and focus.
Plan Effect proudly contributed to this modern work environment through the integration of high-quality glass wall systems.
The subtly ice-blue coated SKYE and Serenity partitions create a sense of openness and light, while simultaneously offering calm and privacy in spaces with a perfect acoustic balance.

A workplace with the look and feel of a high-end hotel

Rounded forms, a well-considered color palette, and premium materials evoke an atmosphere more reminiscent of a luxury hotel or refined restaurant than a traditional office.
This approach enhances the sense of well-being and hospitality, ensuring that employees and visitors feel instantly welcome.

An architectural icon in the atrium

At the heart of the building stands a unique 3D-printed meeting room – a sculptural element that is both functional and aesthetic.
This striking design contrasts beautifully with the building’s clean architectural lines and serves as a visual and spatial centerpiece within the atrium.

An inspiring environment for the future

In addition to workstations and meeting areas, there are various social spaces – including a coffee bar, restaurant, breakout balconies, and a rooftop bar with terrace – that contribute to a dynamic and welcoming workplace.
Thanks to thoughtful interior design choices and the use of innovative materials, this office has been created to be future-proof and fully aligned with modern ways of working.